100Eyes

100Eyes is an online photographic showcase featuring contemporary photography including documentary, art, and journalistic photography. Edited by Andy Levin, 100Eyes is made possible by the generosity of photographers who donate their work in the spirit of a shared photographic community.

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About Andy Levin

Andy Levin is a photographer, teacher, and editor living in New Orleans, Louisiana. A contributing photographer with Life Magazine in the 90's, Levin moved to Louisiana a year before Hurricane Katrina from his native city of New York. A finalist for the Eugene Smith Prize in 2008, Levin is interested in the rights of the underclass, and the relationship between a changing environment and the economically challenged. Levin is the editor of the acclaimed internet photography journal 100eyes. His personal website is http://www.andylevin.com.

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Munem Wasif

Rippling sea waves, dried river skeletons and endless fields. Water everywhere, but not a drop to drink. Each family needs about six pitchers of water a day, and they have to walk seven miles to get it. Ignoring knee-deep mud in rainy season, braving the biting cold of winter. In the seventeen sub-districts of southwestern Bangladesh, the normal flow of water has been ripped to shreds by the dagger of ‘Development’.
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There is no water any more, only a salty, rotten corpse. Shrimp farming has choked off the very foundation of coastal agriculture. The land, birds, fishes, insects, everything has been burnt away by the tyranny of brackish water.The historic relationship between life and water has been ignored by destructive agricultural and fishing policy, with no regard to the knowledge or needs of local people. Starting in 1974, the saline levels of this land increased by a multiple of six within two decades. The state’s development policy has always treated this region, adjacent to the Bay of Bengal and Sunderban (the largest mangrove forest in the world), as marginal and unworthy. But even in a neglected condition, the region is an important source of remittance to the national treasury. This is also the area that protects geographic frontiers, absorbing the full brunt of calamities like Cyclone Sidr.

In the 1980s, water was first sealed off into enclosures, to begin commercial shrimp farming. A 1994 government order, arbitrarily passed without discussion, declared the entire coast available for shrimp farming. Farmers were ousted from their land, becoming internal refugees who turn to day labor. Men and women had numerous occupations in the old marshland. But now, only a few people are needed for shrimp farming.

Once, local plants such as Beulo, Chhamna, Bhotka, Narargoaj, Chechoa, and Kachury would rot in rainy season and mix with the earth, releasing a rich diversity of plant and crops: Lalgeti, Khajur Chhari, Germuri, Hogla, Dadshail, Meligour, Horkocha, Jhingeyshail, Banshphul, Dudhemota, HoldeyBbatali, Koijuri, Gopalbhog, Chotna Khajurchhari, Chaprail, Boyangoti, Katarangi, Ashfal, Sholir Pona, Nona Balam, Narikel Muchi, Porbot Balai, Ghunshi, Panbot, Pankhagi, Kakshil, Dheukamini, Begun Bichi, Taal Mugur, Boyar Baat, Balam, Akanda, Motageti. But the beginning of the end was the so-called green revolution, invented by the International Rice Research Institute and CGIR. Hybrid seeds and high yield Ufshi rice flexed commercial muscle, ousting local rice varieties. Shrimp farming followed, bleeding the ploughing lands and permanently destroying the fish habitat. Bowal, Bain, Beley, Mourala, Shol, Koi, Chang, Betla, Falui and many other species of fish faced extinction from the brine onslaught. Shedding their memories like feathers, the local birds flew away forever. No more would we see the Bali Haash, Pankouri, Kingfisher, Kaath- Moyur, or Chandana. Once famous for quality dairy products like sweets, curds, ghee, the entire area is now devoid of livestock.

In the southwest region, the air is heavy with brine. The entire Shrimp enclosure area is becoming unbearably hot. In the summer days, sweat vanishes, living white marks from dry salt on skin.Tigers find forests empty of food and are forced to enter human localities. People in forest localities are also fleeing, to the towns, to the unknown, all in search of work. The Farakka Dam in the upstream area has accelerated the invasion of salt and silt, damaging the mangrove forest itself. The Sundari trees that give the forest a name are dying. The Shulo, a unique forest specimen, cannot reach the dazzle of sunlight because of muddy water.

 

Six million people are going through a disaster caused by lack of fresh water. But shops are selling bottled water along with soft drinks like Coca Cola and Pepsi. It seems there will be no fresh water for public use, except in bottles manufactured by corporations like Vivendi, Thames, Ondeo, Pepsico, Kona Nigari and others. Water is a crucial political commodity, which can be used to control a state and its people. There is no end to World Bank, Asian Development Bank and donor funded water projects, but the knowledge, decisions or demands of local people are never considered in these mega projects.

 

But the people continue their historical survival process even in midst of devastation. By adopting indigenous methods, such as preserving rainwater, filtering water or collecting the flow of fresh water. They devote prayers to local mythical figures like Khowaz Khizir, saint of water; Ganga, goddess of river; and Bonbibi, protector of the forest. In local philosophies there are also embedded clues to regain lost resources of fresh water. In a changing climate world, we must pay heed to the alternative knowledge and perspective of indigenous people. Water is not just an unquestionable commodity, but also a part of living. Until the state can recognize water as life, these practices of destroying fresh water will continue and people’s sovereign rights over water will not be established.

Text: Pavel Partha. Translation: Naeem Mohaiemen

Munem Wasif is a documentary photographer born in Bangladesh (1983), graduate of Pathshala. Wasif started his photographic career as a feature photographer for the Daily Star, a leading English daily of Bangladesh. After that, he works two years with DrikNEWS (International news photo agency) as a staff photographer. Now he is represented through Agency VU in Paris. His photographs have been published in numerous national and international publications including Le Monde 2, Sunday times Magazine, Guardian, Politiken, Io Donna, Days Japan, L'expresso, Librations’, Courier international, Photo, British journal of photography, PDN, Lens Culture, Area, Camera work, Himal Southasian, Asian Geographic, Photo District News, Zonezero, PDFX12 and The Daily Star. In 2008, he won International Award for concerned photography F25 of the Fabrica for his extensive work on Old Dhaka. In 2007, he was selected for the World Press Photo Joop Swart Masterclass in the Netherlands which was followed by the workshop for Asian photographers at the Angkor Photo Festival where he was guided by photographers like Antoine D'agata. Recently he won "City of Perpignan Young Reporter's Award 2008" at VISA POUR L'IMAGE in France. His work is exhibited worldwide His work is exhibited worldwide including Palais de tokoy, International Photography Biennial of the Islamic World in Iran, Fotofreo- festival of photography in Australia, Chobimela in Bangladesh, Tokyo Metropolitan Museum of Photography in Japan and VISA POUR L'IMAGE in Perpignan. In 2009 Won Prixpictet Commission to record a project on Water in Bangladesh.
Link to this page:  Munem Wasif
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