100Eyes

100Eyes is an online photographic showcase featuring contemporary photography including documentary, art, and journalistic photography. Edited by Andy Levin, 100Eyes is made possible by the generosity of photographers who donate their work in the spirit of a shared photographic community.

About Andy Levin

Andy Levin is a photographer, teacher, and editor living in New Orleans, Louisiana. A contributing photographer with Life Magazine in the 90's, Levin moved to Louisiana a year before Hurricane Katrina from his native city of New York. A finalist for the Eugene Smith Prize in 2008, Levin is interested in the rights of the underclass, and the relationship between a changing environment and the economically challenged. Levin is the editor of the acclaimed internet photography journal 100eyes. His personal website is http://www.andylevin.com.

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Noah Addis

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Sempre Jardim Edite
Photographs by Noah Addis

The Jardim Edite favela, located at the foot of the landmark Estaiada bridge in an affluent section of Sao Paulo, Brazil, was once home to more than 550 families. Most are gone now, as the government of Sao Paulo has forced them to leave their homes to make room for a new development.

Many of the residents of Jardim Edite came from the countryside, often from poor rural communities in the North, seeking opportunity in the bright lights of the city. They built their homes first out of scrap wood and cardboard and whatever else they could find, but over the years some of the homes have grown into reinforced concrete structures with running water and electricity.

The neighborhood was home to several bars and restaurants, a barber shop and beauty salon, a bicycle repair shop and several other businesses. Some residents supported their families working for businesses outside the favela, many worked long hours collecting recyclables to take to a nearby sorting facility.

City officials have long wanted to remove the ramshackle homes and businesses that make up Jardim Edite. As part of the Favela Urbanization Project the government wants to replace the favela with a modern housing development. In September of 2008, a court order sealed the fate of this tight-knit community when a state tribunal judge said the project could go forward and the occupants should be evicted.

Plans call for a complex of buildings with 248 two- and three-bedroom. Officials from the Secretaria Municipal de Habitação (Municipal Department of Housing) have denied repeated requests for interviews and information about the proposed development project.

Some residents, those who were previously registered with the city as official occupants of the favela, are eligible for rent subsidies or cash payouts if they leave their homes. But these payouts are often not sufficient to find suitable housing , so many families end up moving to other favelas. Meanwhile the neighborhood, where some have lived for more than 30 years, is slowly being demolished.

Noah Addis has been working as a professional photojournalist and documentary photographer for more than fifteen years. His work has been published in major publications including The New York Times, Time, Newsweek, People, US News & World Report, Life's Year in Pictures and many others. Noah graduated Magna Cum Laude from Drexel University in Philadelphia with a degree in Photography in 1997. He worked as a staff photographer for the Star-Ledger newspaper in Newark, NJ from 1997 through the end of 2008. Noah has covered such stories as the growth of Christianity in Africa and the war in Iraq. He has won numerous regional and national awards including the New Jersey Photographer of the Year award three times. In 2001 he was the runner-up in the portfolio category of the National Press Photographer’s Association Best of Photojournalism contest and he has won General News and Feature awards in the Pictures of the Year International contest. His work has been shown in galleries in New York and Philadelphia. Noah's most recent projects revolve around squatters communities, unplanned urban growth and income inequality throughout the world. More of his work can be seen at www.noahaddis.com.
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