100Eyes

100Eyes is an online photographic showcase featuring contemporary photography including documentary, art, and journalistic photography. Edited by Andy Levin, 100Eyes is made possible by the generosity of photographers who donate their work in the spirit of a shared photographic community.

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About Andy Levin

Andy Levin is a photographer, teacher, and editor living in New Orleans, Louisiana. A contributing photographer with Life Magazine in the 90's, Levin moved to Louisiana a year before Hurricane Katrina from his native city of New York. A finalist for the Eugene Smith Prize in 2008, Levin is interested in the rights of the underclass, and the relationship between a changing environment and the economically challenged. Levin is the editor of the acclaimed internet photography journal 100eyes. His personal website is http://www.andylevin.com.

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Watching

National Geographic Channel India Rights Grab

This report from Indian photographer Udit Kulshrestha on the National  Geographic Channel’s “Moments” photo contest in India, sponsored by Sprint LG.

 

 

“The pictures, clippings and films uploaded/posted on the Website shall be so done under an irrevocable, royalty free license and an applicant hereby accordingly grants NGC the right to use the picture/clipping in any medium anywhere in the world in perpetuity.”

 

“National Geographic  Channel will have the right to use the pictures without the credits of the author/producer/owner of the image or the movie clipping.”

 

“In the interest of unsuspecting photographers, I am of the opinion that this unethical to hoodwink an amateur or an enthusiast who is not aware of terms like ‘royalty free’, ‘any medium’ or ‘perpetuity’ or its implications for an incentive like a free gift.”

 

Also, I find it an unfair that an agency of the repute of National Geographic is involved in.

 

I suggest we as a photographic community should not endorse the same by non participation as well as by spreading the word of caution.

 

I am spreading the word about this to all relevant communities, media and sponsors alike to ensure practises such as these do not spread further at least in India and if we as a photography community donot set standards or educate fellow photographers’, corporates like nat geo will benefit at the expense of the photographer.”